However, while their image may have softened, their fifth studio album is still a monumental piece of work. You can go to a DIMMU BORGIR show in 2022 and not worry that your skin will blister the next time you visit a church. When his contemporaries are drenched in blood and bringing severed pig’s heads onstage, it’s hard to feel scared by a guy who plays alongside a corpse-painted symphony orchestra. Band leader Shagrath is quite the showman too, and whenever they play live he is clearly fixated on ensuring everyone has a good time. In the decades since, they’ve become an international metal institution with a string of successful tours and albums under their belts. It was as if hell itself had belched them out into the mortal realm and for a generation of metalheads who missed the rise of MAYHEM, DIMMU BORGIR sounded genuinely dangerous. They took their blasphemous symphonies seriously and the album art was straight out of Clive Barker’s nightmares. But where Dani Filth’s lads were clearly having fun, DIMMU BORGIR felt like the real deal. Back in 2001, DIMMU BORGIR’s first masterpiece helped them escape the black metal underground and was often compared to CRADLE OF FILTH. It’s easy to forget how terrifying Puritanical Euphoric Misanthropia was when it first came out.
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